True Blood

Cast of True Blood

Pam in Pink

Leverage is a lot of fun!

Andrew likes Parker (the blonde)


The New Mapp and Lucia series

Farewell to the Original 'Lucia'

Geraldin McEwan as Lucia Geraldine McEwan

"Mapp and Lucia gets BBC makeover"

Miranda Richardson and Anna Chancellor will take the lead roles in a new BBC One adaptation of Mapp And Lucia.

Anna Chancellor

Anna Chancellor was seen recently in The Hour

Miranda Richardson

Miranda Richardson is a familiar face to Blackadder fans

'12 Treats of Christmas TV' - 21st November 2014 Daily Mail :

Write up for new Mapp and Lucia

The Rules

Rule #1: Never let suspects stay together.

Rule #1: Never screw over your partner.

Rule #2: Always wear gloves at a crime scene.

Rule #3: Don't believe what you're told. Double check.

Rule #3: Never be unreachable.

Rule #4: The best way to keep a secret? Keep it to yourself. Second best? Tell one other person - if you must. There is no third best.

Rule #5: You don't waste good.

Rule #6: Never say you're sorry. It's a sign of weakness.

Rule #7: Always be specific when you lie.

Rule #8: Never take anything for granted.

Rule #8a: Never assume.

Rule #9: Never go anywhere without a knife.

Rule #10: Never get personally involved in a case.

Rule #11: When the job is done, walk away.

Rule #12: Never date a co-worker.

Rule #13: Never, ever involve a lawyer.

Rule #14: Bend the Line, do not ever Break It

Rule #15: Always work as a team.

Rule #16: If someone thinks they have the upper hand, break it.

Rule #18: It's better to seek forgiveness than ask permission.

Rule #20: Always look under.

Rule #22: Never, ever bother Gibbs in interrogation.

Rule #23: Never mess with a Marine's coffee... if you want to live.

Rule #27: There are two ways to follow someone. First way, they never notice you. Second way, they only notice you.

Rule #28: You need help, ask.

Rule #35: Always watch the watchers.

Rule #36: If you feel like you are being played, you probably are.

Rule #38: Your case, your lead.

Rule #39: There is no such thing as coincidence.

Rule #39a There is no such thing as a small world.

Rule #40: If it seems someone is out to get you, they are.

Rule #42: Never accept an apology from someone who just sucker punched you.

Rule #44: First things first, hide the women and children.

Rule #45: Clean up the mess that you make.

Rule #51: Sometimes - you're wrong.

Rule #62: Always give people space when they get off the elevator.

Rule #69: Never trust a woman who doesn't trust her man.

Source : ncis.wikia

Who doesn't love television?

We have our own preferences which will be featured on our individual pages - it may be some time before they are populated - but that's the fun of creating a web-site like this.

There is also a special link which will be devoted to the BBCs Television Centre, Wood Lane, London which was purpose built in the 1960s and is now up for sale. I have fond memories of working in this building.

Foyle's War & Downton Abbey

Andrew and I have managed to 'share' two of the most popular tv shows (as voted for by the public) without shedding blood. I have opted for Foyle's War and he has a slight preference for Downton Abbey. We also managed not to shed further blood by sharing a joint appreciation of three more of the named programmes Home Fires, Life on Mars and Spooks.

The Programme we miss most of all

World War II police drama Foyle's War tops list of 21st Century TV shows that Britons want to see back on screen, ahead of Downton Abbey, Life on Mars, and Spooks*

By Alisha Rouse Showbusiness Correspondent for The Daily Mail | Published: 30th July 2019 | Updated: 30th July 2019

Confronted with murder and profiteering on the Home Front, TV viewers could rely on DCS Foyle to put matters right. Now they have voted Foyle's War the 21st century show they would most like to return to our screens. The ITV Second World War detective drama starred Michael Kitchen as Detective Chief Superintendent Christopher Foyle and Honeysuckle Weeks as his resourceful driver Samantha. Written by Anthony Horowitz, it was first broadcast in 2002 and ran until 2007 as a spiritual successor to the Inspector Morse series. It returned for a further three series between 2010 and 2015, taking the story beyond the end of the war to Cold War-era criminal intrigue. In a poll for Radio Times, it was named as the show from this century which viewers would most like to see again, followed by police drama The Bill, which ran from 1984 to 2010, and comedy Count Arthur Strong (2013 to 2017). Other shows that made the top ten include Spooks, Home Fires, Life On Mars, Detectorists, Downton Abbey, Phoenix Nights and Happy Valley.

Horowitz told the latest issue of the magazine: 'It really cheers me up to think that Radio Times readers still hold it in such high regard. 'It reminds me that years ago, ITV decided to axe the show – we missed the whole of 1944 as a result – and it was only thanks to pressure from viewers that they were persuaded to change their minds. 'The repeats still get high viewing figures. I'd certainly be up for a Christmas special or two. There's still that missing year to cover! Foyle's War was a passion project for me and I miss it to this day.' Another ITV drama, the long-running police soap The Bill, came second in the poll. Originally broadcast in 1984, the Sun Hill set drama ran for 26 years before coming to an end in 2010. BBC1 spy drama Spooks, broadcast between 2002 and 2011, came fourth in the poll.


No, we didn't love the world's most successful and favourite show when it first appeared in 'JAG' in series 8 episodes 20 'Ice Queen' and 21 'Meltdown' when three of the main characters 'Leroy Jethro Gibbs, 'very special agent' Tony diNozzo and Donald 'Duckie' Mallard were introduced to us together with 'Agent Blackadder' who didn't migrate to the forthcoming stand alone series. Gibbs had the effrontery not to treat 'Harm' and 'Bud' in an appropriate manner - we resisted watching the first two series for a very long time .....

Gibbs Rules on a Mug

This can of course be interpreted as 'Gibbs is the Boss' or that he has a set of rules! But along with many thousands of others we know that Gibbs and his team 'Rock!'


Leverage Cast

New Dad's Army

The new Dad's Army Cast

Additional information here

Mapp and Lucia TV Series

Mapp and Lucia - the end

Confirmation now announced that there will not be any further series of the new version of 'Mapp and Lucia' - it is a shame as it was very enjoyable, but the original, really was classier!

New version getting ever closer! From the Daily Mail

New Mapp and Lucia cast New cast of Mapp and Lucia for 2014

Rivals: Steve Pemberton (as Georgie Pillson) separates actresses Anna Chancellor (left, as Emmeline 'Lucia' Lucas) and Miranda Richardson (right, as Elizabeth Mapp), socialite rivals in new TV show Lucia and Mapp

Mapp And Lucia are back... with Duck Face and Queenie starring as waspish social rivals in an eagerly awaited BBC adaptation of the E F Benson comic novels 

It is only fitting that actresses Anna Chancellor and Miranda Richardson are being kept apart by co-star Steve Pemberton. For the two actresses are playing waspish social rivals Mapp and Lucia in an eagerly awaited BBC adaptation of the much loved comic novels by E. F. Benson. The three-part drama, which stars Miss Chancellor as Emmeline ‘Lucia’ Lucas and Miss Richardson as Elizabeth Mapp, has been written by Pemberton, who co-stars as Georgie Pillson.

The books are set in the fictitious town of Tilling and explore the petty social snobbery of the English upper-middle classes in the 1920s and 1930s. 

A previous adaptation was a huge hit for Channel 4 in the 1980s. Our exclusive photograph shows the stars during the filming of a garden scene for the BBC1 drama. (Memorable TV)

Miss Richardson, who played Queenie in Blackadder, said: ‘I cannot wait to get my teeth into Mapp… and of course, Lucia!’ Miss Chancellor, best known as Duck Face in Four Weddings And A Funeral, added: ‘I am thrilled to be playing the glorious Lucia. I hope I can do justice to E. F. Benson’s wonderful creations.’

Video Cover for Mapp and Lucia

DVD cover for the television series starring Geraldine McEwan, Prunella Scales and the late Nigel Hawthorne

The original television series was brought to our screens by my first Drama Plays Producer, Gerald Savory, with whom I worked on all 26 episodes of the ill-fated 'Churchill's People' based on the volume of books of the same name which were Winston's oeuvre. My love of the original and follow-on books is chronicled in the Books Preferences section. I'm also delighted to have discovered a recent news update which announces that a new television (this time BBC) version is soon to be produced. Steve Pemberton is to adapt the books.

BBC One has announced that it is working with Steve Pemberton to adapt the Mapp And Lucia novels.
Written by E. F. Benson between 1920 and 1939, the popular novels mainly focused on humorous incidents in the lives of upper-middle-class British people. The books particularly revolved around the adventures of Miss Mapp and Miss Lucia, who lived in the small English town of Tilling.
Pemberton is now putting the characters into a new comic drama that "celebrates and lampoons the snobberies and pretensions of small town life".
The BBC explains: "It takes place over the summer of 1930 when Mrs Emmeline Lucas, known to her friends as Lucia, decides to take a holiday in the charming Queen Anne town of Tilling."
Steve Pemberton, who rose to fame as one quarter of The League Of Gentlemen, says: "As a long-time fan of EF Benson's Mapp And Lucia novels, I'm incredibly proud and privileged to be scripting a brand-new adaptation for the BBC.
"I feel sure viewers will relish their time in Tilling, and will enjoy watching the slyly scheming Mapp take on the gloriously haughty Lucia in a dizzying round of bitter bridge parties, devious dinners and malicious musical evenings."Benson's deplorably funny novels and cast of subversive, eccentric characters have been entertaining readers for over 90 years, and I hope to bring Tilling thrillingly to life. But be warned: this is no jolly period romp. This is a series about a war. May the worst-behaved woman win."
Mapp And Lucia, which is being made in-house by the BBC, will be directed by Diarmuid Lawrence (The Mystery of Edwin Drood) and produced by Susie Liggat (The Café).
This will not be the first time Mapp and Lucia have been brought to the screen. In 1985 and 1986 Prunella Scales and Geraldine McEwan starred in the Channel 4 series Mapp & Lucia. The two series are available on DVD.
This commission follows the success of Blandings, an adaptation of stories by PG Wodehouse, which is now in its second series.
Pemberton is currently working with Reece Shearsmith on a second series of their BBC Two comedy anthology series Inside No. 9, and is expected to return to Spain this summer to film another series of ITV sitcom Benidorm.
Mapp And Lucia will be filmed early in the summer in the Sussex village of Rye, which was the template for Benson's Tilling. It is expected to be shown on BBC One later in the year (2014).

New Mapp and Lucia

Chancellor (right) was seen recently in The Hour while Richardson is a familiar face to Blackadder fans

To understand the English, slip away to Tilling

No one captured small-town snobbery quite like EF Benson in his Mapp and Lucia novels - from the Daily Telegraph

Original Mapp and Lucia

Sparkling: Prunella Scales and Geraldine McEwan in 'Mapp and Lucia'  Photo: REX FEATURES

Lamb House, in the exquisite town of Rye in East Sussex, is a fine early Georgian property belonging to the National Trust. Henry James once lived there, as did E F Benson. It was also home, at different times, to two fictional characters: the title pair in Benson’s six Mapp and Lucia novels, written between 1920 and 1939. Miss Elizabeth Mapp, the original mistress of Mallards – as it is called in the books – rents it out for a summer to the widowed Mrs Emmeline ''Lucia’’ Lucas. Later Lucia buys the house from Miss Mapp.

Formerly attached to Lamb House was a garden room overlooking the street, in which Benson conjured the image of Miss Mapp, seated at her window “like a large bird of prey”. Here she spies greedily upon her neighbours in “Tilling”, a representation of Rye that is one of the most delicious artistic constructs in comic literature.

The BBC has recently been filming at the house, and in the autumn broadcasts a three-part adaptation, Mapp and Lucia. The books were televised by ITV some 30 years ago. I recently watched this series and was entranced by its air of serene, smiling silliness. It is very true to Benson, and will be hard to improve upon.

Nevertheless, the BBC cast of Miranda Richardson, Anna Chancellor and Steve Pemberton (who has also written the adaptation) is as good as it gets, so hopes are pretty high; not least that the books will find a new readership. They certainly deserve it. They have been admired by Noël Coward, Nancy Mitford and W H Auden. Their elegant irony is comparable with Austen, the completeness of their world with P G Wodehouse. They stand within a supremely English literary tradition, the one that takes a small community – whether it be Highbury, or St Mary Mead, or Tilling – and makes of it a microcosm, a place where society is limited but its every detail depicted with a filigree perfection.

EF Benson was born in 1867 and died in 1940. His father was Archbishop of Canterbury, while he became mayor of Rye (Lucia, who gets everything that she wants – including Mallards – is elected to the same position in Tilling). A man of soulful appearance, probably homosexual, Benson was an astonishingly prolific writer. He produced some 100 novels and – rather surprisingly, given the worldliness of his Mapp and Lucia books – a large number of ghost stories.

He also wrote biographies, including a 1932 life of Charlotte Brontë; it is richly perceptive, although its Victorian style is scarcely recognisable as that of the great chronicler of Tilling. But then Charlotte Brontë is not a subject for satire. Tilling is. Although Benson is never cruel, he is a natural satirist of snobbery and social machinations, and in his reimagining of Rye he found what all writers dream of: his perfect subject. It is remarkable that his obituary in The Times did not even mention these novels, given that they are the absolute expression of his gift.

So what is Tilling? It is home to a handful of glorious characters, in the full zest of their middle years, with private incomes of varying size that enable them – in between bridge, painting and little parties – to dedicate their time to each other’s doings. It is intensely passionate, not about love or any such nonsense, but about intrigues, grievances, and the power of knowing gossip before anybody else does. And it is, definitely, a female world. “Men don’t count for much in Tilling,” as one character says, “it’s brains that do it.” It is a recognition that stratagems, devised over tea tables, are what drive events in the town.

Nobody writes comic women better than E F Benson. Elizabeth Mapp, whose face is “corrugated by chronic rage and curiosity”, is the sturdy daemon around whom the Tilling set revolves. Lucia, spry and splendid, a Boadicea of the provinces, a life-force expending itself upon callisthenics, Italian conversation, piano (“celestial Mozartino”) and local activities, is the Mapp counterpart in her Tilling-lite home town of Riseholme.

When these two come together, they vie for supremacy in a war masquerading as a minuet. “I feel like the fourth of August, 1914,” says effete Georgie Pillson, as his friend Lucia boldly defies Miss Mapp by staging a large garden party at Mallards. Mapp’s “fixed and awful smile” when she learns that Lucia has invited inmates of the local workhouse, as well as the usual circle, is a sly hint at a Tilling beyond the known, the moneyed: very Jane Austen.

The twin goddesses command a court – Quaint Irene, a modernist painter of subjects such as “Wrestling Women”; the Wyses, who drive distances of 30 yards in their “Royce” – and each has a suitor of sorts. Major Benjy, blusteringly masculine, has a vague and drunken eye for Miss Mapp (and her money). Georgie Pillson, dandified yet dignified, is queen consort to Lucia. Despite his bibelots, his embroidery, his attempts to assert his manliness by pouring himself “a very small whisky and soda”, Georgie’s sexuality is left a delicate mystery. And this reticence, this surface that barely ripples with the surge of hints and jokes beneath, is the stamp of Benson’s sublime style.

The funniest joke of all is the central, ongoing paradox, wherein incidents of utter pointlessness – such as whether Mapp can acquire Lucia’s recipe to “Lobster à la Riseholme” – spiral into an ever more deadly significance. Benson is a poet of triviality. But his people are real; and they are dazzlingly alive, because of the joy in their creation.

“I lingered at the window of the garden room from which Miss Mapp so often and so ominously looked forth,” wrote Benson from Lamb House, as if in hope of seeing them, bustling merrily about Tilling.

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